Welcome to my world

College Graduate. VSU. London native. Georgia resident. Lucian roots. Natural since September 2011. My page is very random, its full of things I love, like or just find interesting. Hope you enjoy :)

I wanna travel somewhere.

afriblaq:

Mary Turner 1918 Eight Months Pregnant Mobs lynched Mary Turner on May 17, 1918 in Lowndes County, Georgia because she vowed to have those responsible for killing her husband arrested. Her husband was arrested in connection with the shooting and killing Hampton Smith, a white farmer for whom the couple had worked, and for wounding his wife. Sidney Johnson. a Black man, apparently killed Smith because he was tired of the farmer’s abuse. Unable to find Johnson. the killers lynched eight other Blacks Including Hayes Turner and his wife Mary. The mob hanged Mary by her feet, poured gasoline and oil on her and set fire to her body. One white man sliced her open and Mrs. Turner’s baby tumbled to the ground with a “little cry” and the mob stomped the baby to death and sprayed bullets into Mary Turner. (NAACP: Thirty Years of Lynching in the U.S. 1889-1918 )

afriblaq:

Mary Turner 1918 Eight Months Pregnant
Mobs lynched Mary Turner on May 17, 1918 in Lowndes County, Georgia because she vowed to have those responsible for killing her husband arrested. Her husband was arrested in connection with the shooting and killing Hampton Smith, a white farmer for whom the couple had worked, and for wounding his wife. Sidney Johnson. a Black man, apparently killed Smith because he was tired of the farmer’s abuse. Unable to find Johnson. the killers lynched eight other Blacks Including Hayes Turner and his wife Mary. The mob hanged Mary by her feet, poured gasoline and oil on her and set fire to her body. One white man sliced her open and Mrs. Turner’s baby tumbled to the ground with a “little cry” and the mob stomped the baby to death and sprayed bullets into Mary Turner. (NAACP: Thirty Years of Lynching in the U.S. 1889-1918 )

(via allthatyoulack)

itsjust-insanity:

I’m not even mad anymore.
I’m so sad.
Black people are being targeted and killed on a mass scale.
And I’m afraid.
I will one day have black babies.
And I feel guilty.
Because we have a red dot on our foreheads since birth.
Especially males.
And it breaks my fucking heart.
My heart is broken.

(via allthatyoulack)

keewee-flavour:

where i was six months ago,
is not where I am now
and in six months I will say this again. 

silentauroriamthereal:

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

(via herbalerotica)